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Digi-IN Rec Format
Most of the RecFormat parameters recorded
from a digital input source are determined by the
input source. They are not changed because of
settings made in the RecFormat menu.
The shaded areas in the chart below are set by
the input source and ignore RecFormat menu
settings.
Digi-IN RecFormat chart
3. Press and
release the
F.FWD/+
button
until RAW Mode is displayed.
4. With RAW Mode flashing, press and release
the ENTER
button
.
The RAW
Mode menu choice is flashing.
5. Press and release the F.FWD/+ button
to
Notes:
• An audio drop out of the monitoring signal may occur
during RAW during high bit rate MP3 recording.
• RAW and 24-bit recording requires high CF card access
speed (see CARD CHECK page 22).
• RAW is not available for 24-bit recording.
• Verify is simultaneously available with RAW or Time
Shift for appropriate files (see charts on page 14).
How to set or change the RAW Mode
Quick instructions
Press & hold
MENU/STORE 2 sec ....... Preset
Double Click ENTER
.................. RecFormat
Press F.FWD/+ ........................... RAW Mode
Press ENTER
.................... Monitor/TimeShft
Press F.FWD/+ ....... toggle Monitor/TimeShft
Press ENTER
............................. RAW Mode
Press
MENU/STORE .................... store & exit
1. From stop, press and hold the
MENU/
STORE button for about 2 seconds. Preset
will appear (flashing) in the display.
Example
display
2. While Preset is flashing, double click the
ENTER button
.
Example
display
A menu choice will be flashing.
toggle between
Monitor and
TimeShft.
and release the
ENTER button
.
RAW Mode
RAW (Read After Write) mode sets the operation
of the MONITOR switch.
RAW is an electronic Read After Write. In all
modes except 24 bit recording, the PMD671 can
read a recording on the CF Card while simulta-
neously recording onto the CF Card.
When RAW Mode is at Monitor and if the MONI-
TOR switch is at FILE when recording begins, the
monitoring signal sent to the PHONES jack and
LINE OUT jacks is read from the CF card a
maximum of 2 seconds after it is recorded. Thus,
the monitored signal is not the source but is the
recording.
When RAW Mode is at TimeShft and if the MONI-
TOR switch is at FILE when recording begins, the
monitoring signal sent to the PHONES jack and
LINE OUT jacks is the same as the source until a
playback button is activated. (PLAY/PAUSE,
TRACK JUMP, F.FWD or F.REV) The recording
before the playback button was activated, and
previously recorded tracks, can then be moni-
tored and reviewed using normal playback con-
trols while recording continues.
6. When the desired state is displayed, press
16 bit
PCM
24 bit
16 bit
PCM
24 bit
mp3/bwf
(160, 128, 80, 64, 40, 32)
48, 44.1
MP3
mpg/bwf
(192, 128, 96, 64, 48, 32)
48, 44.1
MP2
wav/bwf
Mono
wav/bwf
mp3/bwf
(320, 256, 160, 128, 80, 64)
48, 44.1
mpg/bwf
(384, 256, 192, 128, 96, 64)
48, 44.1
wav/bwf
48 , 44.1
96, 88.2, 44, 44.1
MP3
MP2
Stereo
96, 88.2, 44, 44.1
48 , 44.1
BWF ext.File ext.
Fs kHz and
(Bit rate kbps)
Audio
Format
Channel(s)