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109
Overview
Appendix
USB Memory
Song Player
Digital Recorder
Synthesizer
Selecting Sounds Perform. Functions Editing/Eects Other Settings
Rec/Play/Edit Eects Rhythm Pattern
Insert Eects Parameters
* The trademarks listed in this document are trademarks of their
respective owners, which are separate companies from Roland.
Those companies are not aliated with Roland and have not
licensed or authorized Roland’s JUNO-Gi.
* Their marks are used solely to identify the equipment whose sound
is simulated.
Algorithm
The algorithms (the available eects and their connection order) that
can be used as the insert eects are shown below. The algorithms that
can be selected will dier for each bank.
MEMO
The line or lines connecting the algorithm indicate whether the
eect features mono output (single line) or stereo output (two
lines).
Mono/Stereo Ex.
Output: Mono –[AMP]–[EQ]–
Output: Stereo =[LIM]=[OUT]=
GUITAR Bank
This is a multi-eect designed for electric guitar. This provides an amp
sound using a preamp and speaker simulator.
-[AMP]-[EQ]-[NS]-[FX]-[DLY]=[CHO]=[REV]=
* The order may dier depending on the patch.
Algorithm Explanation Page
AMP
(Amp Modeling)
Models sounds passed through guitar and bass
amps.
COSM modeling simulates not just preamp and
speaker characteristics, but even miking as well.
You can select from a large number of dierent
amp types.
p. 110
EQUALIZER
Adjusts the volume levels for dierent frequencies
in the low-frequency to high-frequency ranges.
Mid and high midrange settings feature
parametric equalization.
p. 111
NOISE
SUPPRESSOR
This eect suppresses noise and hum from the
guitar’s pickups.
Since the noise reduction follows the guitar
sound’s envelope (the change in volume over
time), it has practically no inuence on the guitar
sound itself, thus producing a highly natural
eect.
p. 111
FX
(Eects)
Provides a wide variety of eects to choose from,
including compressor, distortion, wah, and many
others.
p. 112
DELAY
A delayed sound is added to the normal guitar
sound, producing a thicker tone with a distinctive
ambience.
p. 115
CHORUS
This eect adds a subtle frequency modulation,
producing a beautiful sound with greater breadth
and body.
p. 115
REVERB
This eect adds reverberation and other spatial
eects.
Set the REVERB TYPE to choose from a variety of
dierent types of reverb sound.
p. 115
MIC Bank
This is a multi-eect designed for vocals. It provides the basic eects
needed for vocals.
-[CMP]-[ENH]-[EQ]-[NS]-[DLY]=
Algorithm Explanation Page
COMPRESSOR
This compresses the overall output signal when
the input volume level exceeds a set value.
p. 116
ENHANCER
By adding sounds which are out-of-phase with the
direct sound, this eect enhances the denition of
the sound, and pushes it to the forefront.
p. 116
EQUALIZER
Adjusts the volume levels for dierent frequencies
in the low-frequency to high-frequency ranges.
Low and high midrange settings feature
parametric equalization.
p. 111
NOISE
SUPPRESSOR
This eect reduces the noise and hum. p. 111
DELAY
A delayed sound is added to the normal guitar
sound, producing a thicker tone with a distinctive
ambience.
p. 115
LINE Bank
These eects are for stereo line input. The LINE/EXT bank uses the
same eects as the mastering tool kit.
=[IN]=[CMP]=[MIX]=[LIM]=[OUT]=
Algorithm Explanation Page
INPUT
This divides the original sound into three
frequency ranges: low, mid, and high.
p. 120
3BANDCOMP
(Compressor)
This compresses the overall output signal when
the input volume level exceeds a set value.
p. 120
MIXER Adjusts the volume of each frequency band. p. 120
LIMITER
This suppresses high-level signals to prevent
distortion.
p. 120
OUTPUT This makes settings that aect the overall output. p. 120